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Balinese textiles : ウィキペディア英語版 | Balinese textiles Balinese textiles are reflective of the historical traditions of Bali. Bali has been historically linked to the major courts of Java before the 10th century; and following the defeat of the Majapahit kingdom, many of the Javanese aristocracy fled to Bali and the traditions were continued. Bali therefore may be seen as a repository not only of its own arts but those of Java in the pre-Islamic 15th century.〔Gittinger, Mattiebelle, 1979. Splendid Symbols, Textiles and Tradition.Textile Museum, Washington D.C. p.139〕 Any attempt to definitively describe Balinese textiles and their use is doomed to be incomplete. The use of textile is a living tradition and so is in constant change. It will also vary from one district to another. For the most part old cloth (excepting the especially sacred) are not venerated for their age. New is much better. In the tropics cloth rapidly deteriorates and so virtue is generated by replacing them. ==Textile as a sign or symbol== In Bali, textiles are much more than just cloths from which garments are made. Beginning with the yarn and the woven cloth, they are a medium through which the divine nature of the universe and its material manifestations are recognized and expressed.〔Balinese Textiles; Brigitta Hauser-Schaublin, Marie-Louise Nabhollz-Kartaschoff, Urs Ramseyer. British Museum Press. ISBN 0-7141-2505-9. p 8.〕 Cloth is central to all Balinese spiritual activities. In every Balinese Hindu household, every day a family member will make offerings to the gods. To do this she (it usually is she) must at a minimum wear a sash around her waist. Trees and significant rocks are wrapped in the black and white poleng. When the men of the village ''banjar'' gather for a working bee in the temple they wear a sarong and sash. The more important the event (and the Balinese calendar is full of important days), the more formal and complex is the dress.
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